PERSPECTIVES IN SCULPTURE
Ani Kasten, Karen Karnes, and Nina Hole
August 11, 2018 - September 1, 2018
August 11, 3 - 5pm
Nina Hole (1941 - 2016)
1941 - 2016
“To me, the architecture of houses is very inspiring, and in my eyes the best houses are also sculptures.The house can be seen as a metaphoric reference to one’s own body, in fact, one’s own ego, and that is what I am exploring in my work.”
- Nina Hole
Karen Karnes (1925 - 2016)
November 1925 - July 2016
Karen Karnes passed peacefully at home on July 12th, 2016. She was a towering figure of the postwar studio pottery movement, pioneering salt-glazing in the 1960s and wood-firing in the 1980s. Her work opened undreamed of possibilities of expression for the handmade pot. For the many potters who knew her, she was a mentor whose work embodied the creative power and singular voice to which we all aspire—her life in complete harmony with her creative vision. Karen Karnes was our artist. Her outspoken honesty, wit, and physical grace were unique and irresistible. The solidarity and love for her colleagues and nurturing support for younger potters changed careers and lives. - Mark Shapiro
It has been a great privilege to know and represent Karen Karnes, one of the great artists of our time. From her earliest days her work has been strong and sculptural, including her functional pieces. She followed an inner radar true to her artistic vision and could always be counted on for the truth. -Lucy Lacoste
"Investigating the materiality of the clay is the foundation and focal point for all of my sculptural vessels. I create wheel-thrown and hand-built forms in families, and these sculptural groupings explore the meeting point between natural and man-made worlds. The vessels take their influence from plants, water, rocks and clay, as well as from architecture, industry and machinery. The forms integrate both of these sensibilities into a composed landscape, such as a stand of bamboo-like, truncated cylinders, perforated with small windows to look like corroded skyscrapers, or a simple, pure form such as a smooth sphere, marked on its surface with an off-center, wandering imprint, like bird tracks in the sand. The pieces are often truncated, off-center, weathered and perforated, combining natural movement and an apparent state of organic deterioration that invokes the cycle of life, death, decay. They investigate the nature of change, the compiling of memory, and a feeling of profound loss– the recognition of temporal beauty bound inextricably with grief. The pieces are like remnants, a landscape of objects that remain after some kind of significant change, grave markers, or organic matter that has survived a great fire. As creative expressions of form, movement and texture, my work is infused with a modern, minimal aesthetic while at the same time reminding one of a natural or ancient object exposed to the rigors of time. As does nature, my ceramics often incorporate repeated markings and patterns, and explore asymmetry while retaining balance, lightness, and quietude of form."- Ani Kasten Artist available for commissions. Contact Lacoste Gallery for information.
Show closes today!